My practice builds concentric vessels from the remnants of my body’s care and its navigation through spaces not built for its survival. Kin (as materials) become images and forms contained within simulated domestic environments, familiar experiences rendered uncanny through subtle inversion. Closed vessels deny visual access, demanding a metaphysical encounter where projected consciousness offers exclusive entry into the void. These installations reference rest while refusing it, echoing the weight of invisible disability and the reality of burning out while appearing still. Honoring absence as its own presence, refusal exists as chiasmic reciprocal care for both the self and the other.